5 SIMPLE TECHNIQUES FOR CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They are sometimes yearning romantics, using this big difference: Buster appears a plausible mate, as well as Tramp rarely appears to possess a libido, only idealized notions. If their comedies were made in a far more liberated time, it is possible to assume Keaton in bed with a woman, but disquieting to consider the Tramp being a sexual remaining.